Sophie Hackett is the Curator, Photography, at the Art Gallery of Ontario (AGO) and adjunct faculty in Toronto Metropolitan University's (formerly Ryerson University) master’s program in Film and Photography Preservation and Collections Management. She continues to write for art magazines, international journals and artist monographs, including “Queer Looking: Joan E. Biren’s Slide Shows” in Aperture (spring 2015) and “Encounters in the Museum: The Experience of Photographic Objects” in the edited volume The “Public” Life of Photographs (The Image Centre (formerly Ryerson Image Centre) and MIT Press, 2016).
What It Means To Be Seen: Photography and Queer Visibility / Zanele Muholi: Faces and Phases
Curators: Sophie Hackett and Gaelle Morel
Research Assistant: Sol Legault
Within LGBTQ communities, the camera has historically served several critical functions. Journalists, artists, amateurs, and activists have used photography to build and sustain social bonds by sharing private experience, recording and preserving history, and celebrating sexuality and gender identities constrained by dominant social mores and legal prohibition - in other words, revealing what might otherwise be hidden from sight. By contrast, the medium has been used critically, and with aggression, as an instrument of identification and derogation by heteronormative media outlets and forces of state power. This publication, issued alongside The Image Centre's (formerly Ryerson Image Centre) Summer 2014 exhibition season on the occasion of WorldPride 2014 Toronto, explores significant aspects of photography's function within and without queer culture over the last seventy-five years.
A primary exhibition of the Scotiabank CONTACT Photography Festival
Presented by TD Bank Group. Organized by The Image Centre (formerly Ryerson Image Centre) in collaboration with the Art Gallery of Ontario and WorldPride 2014 Toronto