Subscribe to our mailing list for the latest news and events.

Skip Navigation
Created with Fabric.js 3.6.3

Sister(s) in the Struggle: Angela Davis and Kathleen Cleaver

January 18–April 9, 2017
From the Collection Wall

Icons. Heroines. Feminists. Fighters. Fugitives. Such denotations are but a few that have shaped the public personas of Angela Davis and Kathleen Cleaver, key female leaders and supporters of the Black Panther Party. Active in the United States between 1966 and 1982, this revolutionary organization was dedicated to the struggle for black empowerment and liberation. Through the dissemination of their photographic likenesses in newspapers and such publications as Life, Newsweek, Ebony, and Jet, Davis and Cleaver reached cult-like status.

Against the backdrop of their tireless activism, these photographs culled from The Image Centre's (formerly Ryerson Image Centre) Black Star Collection depict the two figures in fleeting moments of pleasure, reflection, or vulnerability. Invariably, Davis and Cleaver evoke the many unnamed black women who have fought for justice. The revolution’s “long spectrum,” in Davis’s words, is embodied by these images of sisters in the struggle.

Julie Crooks
Guest Curator

Co-presented with the Black Artists’ Networks Dialogue

Woman smoking, smoke covering her face
Fig. 1

George L. Walker III, Untitled [Angela Davis, Nashville, Tennessee], gelatin silver print, 1972. The Black Star Collection, The Image Centre

A smiling woman standing at a podium raising her fist in celebration
Fig. 2

Janet Fries, Untitled [Angela Davis], gelatin silver print, 1975. The Black Star Collection, The Image Centre

A woman in a black turtleneck and jeans smiling
Fig. 3

Cynthia Benjamins, Untitled [Angela Davis], gelatin silver print, 1978. The Black Star Collection, The Image Centre

A woman in a black turtleneck sits at a desk
Fig. 4

Jeffrey Blankfort, Untitled [Kathleen Cleaver, Oakland, California], gelatin silver print, 1968. The Black Star Collection, The Image Centre

A woman smoking a cigarette, wearing a bracelet, earrings, and an intricate top
Fig. 5

Allan Copeland, Untitled [Kathleen Cleaver at the Black Panther Headquarters, San Francisco, California], gelatin silver print, 1968. The Black Star Collection, The Image Centre

Artist and Curator Bios

Angela Davis
Artist

Kathleen Cleaver
Artist

Julie Crooks
Guest Curator

Julie received a PhD in the Department of History of Art and Archaeology at the School of Oriental and African Studies (SOAS), at the University of London in 2014. Her research focuses on historical photography in Sierra Leone, West Africa and the diaspora. She has taught numerous courses in these fields at the Art Gallery of Ontario, as well as Ontario College of Art and Design University (OCADU), University of Toronto, Wilfrid Laurier University, and York University. Currently, Julie is a Rebanks Postdoctoral Fellow at the Royal Ontario Museum researching the various engagements of black/African audiences with the African Gallery and the photographic history of Blacks in Canada.

Installation Shots

8 photographs in black frames hung on a white wall above a white display case
Fig. 1

From the Collection: Sister(s) in the Struggle, Angela Davis and Kathleen Cleaver (installation view), 2017 © James Morley, The Image Centre

Two framed photographs, the top of a woman smiling at a podium, the bottom of a group of women smiling
Fig. 2

From the Collection: Sister(s) in the Struggle, Angela Davis and Kathleen Cleaver (installation view), 2017 © James Morley, The Image Centre

2 magazines in a display case. On the left, the cover of Life magazine, text reads "The Making of a Fugitive". On the right, a magazine open to a page reading "The Path of Angela Davis"
Fig. 3

From the Collection: Sister(s) in the Struggle, Angela Davis and Kathleen Cleaver (installation view), 2017 © James Morley, The Image Centre

Sponsors

Co-presented with the Black Artists’ Networks Dialogue

Upcoming Exhibitions