Otherworldly: Deborah Turbeville Photographs
January 17–April 6, 2024
University Gallery
Curator: Denise Birkhofer
This exhibition from The Image Centre collection presents more than 40 photographic works spanning the innovative career of American photographer Deborah Turbeville (1932–2013), from her major fashion commissions of the 1970s to the more personal projects of her later years. Widely credited with evolving the editorial genre of fashion photography into an art form, Turbeville de-emphasized the clothed figure in her pioneering compositions, whose often-decaying settings reinforce their dreamlike atmosphere. Experimental techniques such as soft focus, the use of printing papers with varied tones and textures, distressing or tearing of the print, and the application of masking tape or other collage elements contribute to the photographs’ otherworldly aesthetic.
Related Events
Winter Exhibitions Opening Party
January 16, 2024 | 7:30–9:30 pm
Exhibition Tour
Denise Birkhofer with Eve Townsend
Wednesday, February 21, 2024 | 6 pm
Tanenbaum Lecture
Deborah Turbeville: Beyond Fashion
Nathalie Herschdorfer
Thursday, March 21 | 6 pm
The Image Centre, 33 Gould St.
Lecture Room IMA-307 (third floor)
All events take place at The Image Centre (33 Gould St., Toronto), unless otherwise noted.
Curator Bio
Denise Birkhofer
Denise Birkhofer is the Collections Curator at The Image Centre, where her recent exhibitions include CANADA NOW: New Photography Acquisitions (2022), TERREMOTO: Mexico City, 1985 (2018), and The Faraway Nearby: Photographs of Canada from the New York Times Photo Archive (2017). She previously held positions at the Allen Memorial Art Museum at Oberlin College (Ohio) and the Grey Art Gallery at New York University (New York), where she cultivated a background working with academic collections of art and photography. She has contributed to numerous edited volumes and journals, and is the author of exhibition catalogues including Fred Wilson at Oberlin and Judit Reigl: Body of Music (both 2016). Birkhofer holds a PhD in art history from the Institute of Fine Arts, New York University.