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Chim’s Children of Europe (1949)

September 10–December 13, 2025
Returning January 14–April 4, 2026
Curator: Gaëlle Morel

In the aftermath of World War II, famed photojournalist (and co-founder of the Magnum Photos picture agency) David “Chim” Seymour was commissioned by UNESCO to document the living conditions of children across a devastated Europe. The resulting images formed Children of Europe, a landmark 1949 publication that raised international awareness of postwar displacement and humanitarian need.

This exhibition brings together original prints and rare archival material from The Image Centre’s collection, revealing Chim’s compassionate lens and commitment to social documentation. Capturing both hardship and resilience, this much-celebrated series reveals the lives of children in Austria, Greece, Germany, Hungary, Italy, and Poland—offering a powerful testament to survival and recovery in a time of profound global upheaval.

Related Public Programs

Special Exhibition Tours: Magnum's First & Chim's Children of Europe
Wednesday, September 17, 2025
6:00–7:00 p.m.

Wednesday, November 19, 2025
6:00–7:00 p.m.

Fig.

David "Chim" Seymour, [Terezka drawing"home" on blackboard, Poland], 1948, gelatin silver print. The Image Centre, Gift of Ben Shneiderman, 2022. © David Seymour Estate/Magnum Photos

Approximately 50 children bald-headed children sit on benches
Fig.

David "Chim" Seymour, [Albergo dei Poveri orphanage, Naples, Italy], 1948, gelatin silver print. The Image Centre, Gift of Ben Shneiderman, 2022. © David Seymour Estate/Magnum Photos

Curator Bio

David “Chim” Seymour

David “Chim” Seymour (b. Dawid Szymin, Poland, 1911–1956) is known for his photographs of the Spanish Civil War (1936–39) published in the illustrated press, notably the French periodical Regards. After World War II he pursued a career as a photojournalist, collaborating with numerous European and North American outlets, including the magazines Paris-Match, Life, and Look. In 1947 he co-founded the agency Magnum Photos, along with fellow photographers and picture editors Robert Capa, Henri Cartier-Bresson, Maria Eisner, George Rodger, Rita Vandivert, and William Vandivert.

His exhibitions include solo retrospectives at the Jewish Historical Museum, Amsterdam, Netherlands (2019); the International Center of Photography, New York (1996 and 2013); the Corcoran Gallery of Art, Washington, DC (2007); and the George Eastman Museum, Rochester, NY (2007). 

Chim’s work can be found in the collections of The Image Centre, Toronto; the International Center of Photography; the National Gallery of Art, Washington, DC; the Library of Congress, Washington, DC; the Art Institute of Chicago; the Fine Arts Museums of San Francisco; and the Victoria and Albert Museum, London, England.

Gaëlle Morel

Gaëlle Morel has been the Exhibitions Curator at The Image Centre since 2010, during which time she has curated dozens of exhibitions and written and edited numerous publications. Her latest projects include Stories from the Picture Press: Black Star Publishing Co. & The Canadian Press; Mary Ellen Mark: Ward 81; and Lee Miller, a Photographer at Work (1932-1945). In 2009, Morel was the guest curator of the photography biennial, Le Mois de la Photo à Montréal. She is currently an instructor in the Film + Photography Preservation and Collections Management graduate program at Toronto Metropolitan University. Morel holds a PhD in the History of Contemporary Photography from Université Paris 1 Panthéon-Sorbonne.

Exhibition Catalogue

Fig.

Tereska and Her Photographer

 A Story by Carole Naggar with Photographs by David "Chim" Seymour

Tereska and Her Photographer is a photobook that presents a fictional story by Carole Naggar about the extraordinary parallel lives of Magnum photographer and co-founder David “Chim” Seymour and Tereska Adwentowska, a young Polish girl who was the subject of Chim’s most famous photograph. Based on historical facts, Tereska and her Photographer is a fiction built as a small opera, where all the characters in Chim and Tereska’s lives bring their various voices to the narrative. The book’s chronology is nonlinear, weaving vignettes from 1948 and the present with those from Chim’s youth and Tereska’s early childhood. David “Chim” Seymour’s photographs, along with several anonymous historical images, are inventively presented and arranged by award-winning book designer Ricardo Báez with striking typography by Juan Mercerón. 

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